拨兰花伴奏

❶ 兰花草吉他怎么弹呢

一首来自简单易学的吉他歌曲，吉他拨弦弹奏，非常好听，整曲由Am和弦、Em和弦内构成。非容常简单，和弦切换方便。

工具/原料

吉他

方法/步骤

左手动作：Am和弦，按住一品二弦，二品三弦、四弦。分别食指对应一品二弦，无名指对应二品三弦，中指对应二品四弦。

左手动作：Em和弦，按住二品四弦、五弦，分别无名指对应二品四弦，中指对应二品五弦。

右手拨弦动作：Am和弦，按照53231323节奏，拨弦3遍。

右手拨弦动作：Em和弦，按照63231323节奏，拨弦1遍。

歌曲第二段，还是3遍Am。

转换Em和弦时按照6321拨弦方法，最后爬音结束。

随便讲解一下，兰花草Am扫弦动作，按照先扫456弦，再扫123弦，反复弹奏。

❷ 北京民歌有哪些

北京民歌的歌种丰富多彩，山歌、劳动号子、小调、花会歌曲、儿歌、风俗歌曲、叫卖调基本都包括了。提到北京民歌，就不能不说到京杭大运河。过去特别是在明、清两代，南方的粮食、布匹、绸缎、杂货，都凭着大运河运送，它不但给北京人带来了应用物品，还带来了精神食粮。在北京民歌当中，有好多曲调本身是南方的音素，仅从名字就能看出来，如《倒搬桨》、《倒推船》、《码头调》等等。提起大运河，就要说到北京东便门外的二闸。二闸过去是从张家湾到东便门一个非常重要的水路。元代水利专家郭守敬一共建立了几个闸口，其中属二闸水面最宽阔，过去的粮食运到了张家湾就不能走了，后来由于建立了几个闸口，一直从杭州到达现在的积水潭。“小调有脚，游走四方。”随着草粮的运输，南方的文化、画坊和工艺也随之来到北京，船上唱小曲的人唱着他们的家乡歌来到这里，所以清代很多南方的小曲都传到了北京。其中有一首民歌、一首老北京情歌———《探清水河》最为著名，因其曲调缠绵委婉，堪称北京版的“《兰花花》”，而其旋律，与江苏经典民歌侉侉调《无锡景》又极为相近。（江苏无锡的一个茶亭里，游客面对着万顷碧波，憩歇品茶。一位少女在一把二胡的伴奏下，唱着：“我有一段情，唱拨拉诸公听……”幽雅清脆的歌声为游客们助兴，也为迷人的太湖胜景增添了美色。这就是江苏传统民歌《无锡景》在旧时演唱的情景。《无锡景》全曲生动地介绍了无锡城的历史、风光与特产，旋律细腻秀美，富有江南特色。）

这首流行于海淀区火器营村的叙事歌《探清水河》，讲述了清末民初发生在火器营村的一个类似梁山伯与祝英台的爱情悲剧。过去北京有个打磨厂，主要是印刷的一些小作坊，比如二酉堂、保文堂，经常出小唱本，众多的小唱本中都收录了这首《探清水河》。在清末民初的时候，火器营是制造枪炮的，火器营村是满族的聚居区，住着松老三一家，*种大烟、开烟馆为生。老两口子膝下无儿，所生一女起了个乳名叫大莲。大莲长到十六七岁的时候，真可谓是亭亭玉立，说媒的人踢破了门槛，但是松老三两口子整天吃喝玩乐，不关心女儿的婚姻大事，后来遇到本村青年农民佟小六，他们两个就偷偷地相爱了。有一次小六来到大莲家，他俩在偷偷地幽会当中被父母发现了，这一下可惹了大祸了，这是辱没祖宗、败坏门庭。大莲的父亲就用皮鞭子把大莲打得皮开肉绽，给她一把菜刀、一根绳子、一把剪子叫她自裁，最后大莲被逼无奈一点儿办法都没有，一狠心就跳了门口的一条河，叫做清水河。（清水河就是从颐和园出来的长河。）跳了河以后，小六知道害怕就跑了，过了一段时间他想大莲怎么样了，听说大莲已经跳河死了，他带着烧纸来到清水河，在一个凄风苦雨的夜晚，来祭奠他的大莲妹妹，祭奠完了以后可怜的小六也跳了河，这个故事应该是一个双方殉情的故事。为纪念这个忠贞不渝的爱情故事，后来有人编成了小曲去到处传唱，《探清水河》从此就在北京广泛地流传开来了。这个故事还有版本不同的很多结尾，不管哪种结尾都是很悲凉的：结尾一，小六祭奠完大莲之后，只身来到北京，到东城区豆芽菜胡同，在一个鞝鞋铺当了一个学徒工，出师以后终身不娶；结尾二，小六被他亲娘舅亲自推到河里面去，因为小六有伤风化、辱没祖宗，所以不得不这么做；结尾三，当地的官员看上大莲的美色逼大莲做小妾，坚贞的大莲死活不从，官员记恨在心，叫了一帮人深夜里把大莲推到了清水河里，小六知道后带了一把明晃晃的大砍刀来到清水河，几刀砍死了官员，然后投案自首，被发配新疆，不知所终。不管怎么说，结局都是以悲情而告终，留给后人的，只有这首有故事情节的《探清水河》。

❸ 兰花草吉他谱怎么弹

前奏应该是 AM 53231323 EM 5323 AM 5321一起拨

歌曲是 AM53231323一直拨到兰花却依然

最后“苞也无一个”是 EM 5323 AM 5321一起拨

❹ 炎黄风情的乐曲解说

1. 小白菜 这是我在童年听到的第一首民歌——首流传久远的歌，它表现了一个失去母亲的孩子遭受继母虐待的悲惨境遇，和他对生母的怀念之情。我以这首民歌的凄婉旋律为基础，用弦乐刻画主人公对往日温暖亲情的眷恋，以及为母亲送葬情景的回忆。中间部分的旋律是我根据河北民歌《哭五更》的音调重新创作的，其中有哀伤的呜咽，无奈的叹息，也有短暂的憧憬。当旋律重新回到《小白菜》时，小提琴以充满幻想的空灵音响把人们带到了这苦命孩子寄希望于天国的依稀梦境之中。
2. 小放牛
这是一首农村歌舞曲，曾被编成京剧和昆曲短剧而流传全国。 清晨， 阳光明媚，清风拂煦，牧童在牛背上吹著竹笛悠然自得地走出村口。路上，一位美丽的村姑向牧童问路，牧童则以“赵州石桥什么人修？玉石栏杆什么人留？什么人骑驴桥上走？什么人推车轧了一道沟？”一连串问题请村姑回答，作为指路的条件。 聪明的村姑有问必答，一一应对，二人边唱边舞，一派天真。乐曲用音色对置的手法表现一问一答的诙谐情趣，最后以乐队的全奏将欢乐气氛推向高潮。
3. 茉莉花
中国各地特别是东部各省几乎都有旋律、歌词各不相同的《茉莉花》长期流传。我选取了我的祖籍河北沧州地区的《茉莉花》的旋律。这是一首优雅细腻，精致委婉的歌曲，表现了少女以茉莉花自喻，对美好爱情充满幻想的烂漫情怀。由小提琴、中提琴先后演奏的《茉莉花》旋律，时而恬淡宁静，时而含情脉脉，时而以不协和和弦表现少女偶上心头的一缕愁绪。当另一旋律与《茉莉花》重唱时，则像是一首爱的颂歌。然后，音乐转入沉思，又在结尾时平添一丝惆怅。 4. 对花
“春季里来什么花儿开？春季里开的是迎春花……” 对句歌是民歌中常见的形式，而依季节次序问答花名则是对句歌中常见的内容。这首乐曲的主题采用的是河北沧州地区的《对花》，中部则是另一首沧州民歌《放风筝》的旋律。 全曲以多变的节奏、对置的音色和丰富的力度变化描绘出对歌场上欢腾热烈的场面：一连串喋喋不休的反复音调，像是场外熙熙攘攘的人群呼喊助威。中部插入的慢板则是手执竹板击节入场的女子表演“落子”（莲花落）的舞蹈场面。 1. 小河淌水

“月亮出来亮汪汪，想起我的阿哥在深山，哥象月亮天上走，山下小河淌水清悠悠。”这是一首即景生情，情景交融的云南情歌。
乐曲以原曲歌词提供的时间（月夜）、空间（山下小河旁）为背景，用弦乐高音区的模糊音响模拟朦胧月夜，用钢琴、竖琴、钢片琴的丁冬音响模拟小河流水。恬美的英国管和明亮的长笛先后唱出柔美动人的旋律。当乐曲转为全体弦乐齐奏时，低声部模拟“阿哥”以放慢一倍的同一旋律热烈应和，把炽烈的爱情之歌推向高潮。
2. 放马山歌
“正月放马正月正，赶起马来登路程；二月放马百草发，小马吃草顺山爬……”这首流传全国的云南民歌，表现了放马人豪爽的性格。乐曲中使用打击乐器和小提琴的滑奏模拟马铃、马蹄、马鞭声和放马人的吆喝声。中部以《赶马调》的悠闲舒缓节奏和甜美平稳旋律刻画放马人途中休憩的情景。
3. 雨不洒花花不红
“哥是天上一条龙，妹是地上花一蓬，龙不翻身不下雨，雨不洒花花不红。
”这首云南情歌歌词语语双关，言简情深；旋律调式独特，婉转动人，曾在各地广为流传。乐曲以象征雨滴的三连音音型贯穿全曲，先后用大管、单簧管加短笛以及弦乐木管的交替演奏这优美迷人的旋律。
4. 猜调
这首幽默诙谐的云南童谣以“绕口令”式的节奏表现了姐妹问答对歌的活泼情趣：“小乖乖来小乖乖，我们说给你们猜：什么长，长上天？哪样长，海中间？什么长长街前卖嘛？哪样长长
妹跟前？”“……银河长，长上天；莲藕长，海中间；银线长长街前卖，丝线长长妹跟前。”乐曲以木管乐器的明亮音色和弦乐拨奏的轻快节奏突出显现了旋律的戏谑气氛，中部引用了另一首云南民歌《安宁州》的优美旋律。 1. 女娃担水
乐曲的主题是一首反映旧时代农村女子苦难生活的陕北民歌。全曲采用传统的变奏曲体裁，从多侧面揭示苦难中的女子的内心世界。主题和最初的两个变奏凄楚悲凉，第三变奏刻画了主人惆怅不安的心理活动，第五变奏表现了她向悲惨命运的无力的抗争。最后一个变奏又回到悲凉的主题，而且变得更加孱弱纤细——苦难是难以摆脱的。
2. 夫妻逗趣
“说你呀，邋遢呀，真邋一得遢呀，头上的金丝么乱呀如麻呀，娃他妈！”这首对唱描绘了一对夫妻相互取笑的嬉戏场面。三弦和板胡象征一对嬉戏中的夫妻。钢琴的不协和音和小堂锣的滑稽音色强化了乐曲的喜剧色彩，半音调性对置和节拍错位更使乐曲充满幽默感。 3. 走绛州
这首歌流行于陕西和山西，表现了主人公肩挑扁担口唱歌谣步履轻快地向绛州进发的愉快心情。板胡的旋律轻松愉快，小提琴的固定音型好像扁担上下忽闪的颤动，全曲展现出一幅优美的乡间画面。 4. 兰花花
《兰花花》是一首产生于陕北流传于全国的叙事歌曲。歌曲强烈控诉了旧时代包办婚姻对自由爱情的摧残，歌颂了反叛封建礼教，追求幸福婚姻的青年女子兰花花。然而，在封建社会，她不可避免地要以生命为代价而走向悲剧的结局。
乐曲的第一部分以柔美的双簧管和热情的大提琴表现兰花花和她的情人充满幻想的甜蜜爱情。中段以铜管的强暴威严和弦乐的悲恸哭诉象征兰花花的抗争和愤怒，定音鼓和大锣的哀鸣预示了悲剧的结局。乐曲结尾，定音鼓沉闷地奏出主题，留下了最后的微弱呼唤。 1. 槐花几时开
巴山蜀水，培育了四川人勤劳、爽朗而富于幽默感的性格。这首词曲并茂的《槐花几时开》是一曲典型的四川山歌。歌词只有四句，却情景交融，意味深长：“高高山上一树槐，手把栏杆望郎来，娘问女儿望啥子，我望槐花几时开。”其旋律也十分别致，从全曲最高音起，每句歌词拆为两个乐节，并加入四川山歌特有的衬字，起伏婉转，扣人心弦。
乐曲由双簧管、圆号、弦乐、长笛和英国管先后演奏这首山歌的优美旋律。和声以另一调性做背景衬托，描绘了一个远景近景既分离又相合的山村画面。
2. 黄杨扁担
这是一首四川秀山花灯调，表现了小夥子挑担到酉州送米，却兴致勃勃地观察酉州姑娘梳头打扮的情景。歌词俏皮风趣，四川民歌特有的衬词更增添了歌词的幽默感：“黄杨扁担软溜溜哇(姐里哈里呀)，挑一担白米下酉州哇(姐呀姐呀)下酉州哇(哥里哈里呀)。” 乐曲以强劲的全奏刻画小夥子彪悍的形象，中段以一首山歌的二重唱表现年轻挑夫休憩时悠然自得的神态。
3. 绣荷包
《绣荷包》是中国民歌中常见的题材，表现少女为情人绣荷包时的兴奋与羞涩心态。荷包是男人系于腰间用以装钱和零星物品的布袋，女子常以荷包赠与情人作为定情物。民歌中《绣荷包》以四川、山西和云南的三首流传最广。 乐曲从弦乐四重奏开始，然后转为木管，间以竖琴的装饰性滑奏和长笛的华彩乐句，宛若姑娘手中的飞针走线。
4. 太阳出来喜洋洋
这是一首爽朗明快的四川山歌：“太阳出来喜洋洋，挑起扁担上山岗，手中拿把开山斧，不怕虎豹和豺狼。” 乐队全奏贯穿全曲，铜管乐器粗野的呐喊，弦乐从压抑到爆发的转接，以及定音鼓的狂燥敲击，表现了雄性勃发的阳刚之气。 1. 无锡景
以锡山、惠山和太湖闻名于世的江南名城无锡，历来是诗人、画家和音乐家的灵感之源。以无锡为题的名曲，一是阿炳的《二泉映月》，一是这首江南小调《无锡景》：“天下第二泉，惠山脚半边，泉水碧清，茶叶泡香片，锡山相对惠泉山，山脚下，两半边，开个泥佛店。”这首管弦乐曲以清秀的木管音色和朦胧的弦乐音色描绘了无锡秀美迷人的湖光山色。 2. 杨柳青
这是一首欢快活泼的扬州小调。“杨柳青”是原歌中的衬词，并无特别含义。这首小调歌词不固定，常填入诙谐，风趣，欢快的词句。乐曲采用弦乐拨奏，从两个声部开始，逐步转入全部弦乐的拨奏，并以拨奏模拟民间打击乐的锣鼓节奏，突出了乐曲的欢快气氛和俏皮性格。 3. 拔根芦柴花
这是一首江都县的秧田歌，“拔根芦柴花”系原曲衬句。“白米饭好吃要把秧来栽，鲜鱼汤好喝要把网来拈……”乐曲以钢琴和长笛先后演奏这首秧田歌的轻快旋律，弦乐拨奏和清脆的板鼓伴奏之，勾画了一幅秀美的江南图景。 4. 紫竹调
这原是一首流行于苏州的市井爱情小调，后成为上海沪剧曲牌。其歌词经历代艺人传播修改，成为一首含蓄有趣的情歌：“一根紫竹直苗苗，送与哥哥做管箫，箫儿对著口，口儿对著箫，箫中吹出开花调。问哥哥，这管箫儿好不好？”乐曲以弦乐和二胡、琵琶、曲笛演奏旋律，竖琴的晶莹琶音与之相和，颇具江南丝竹的风格。 1. 走西口
《走西口》讲述的是过去年代生活在黄土高原贫瘠地区的人们背井离乡，到口外谋生的故事，流行于山西、陕西的北部和内蒙古西部。各地的《走西口》内容相近，曲调却有很大差异。这里所采用的是山西小调的旋律：“哥哥你走西口，小妹妹我实难留，手拉著哥哥的手，一直送到小村口。”乐曲以如泣如诉的弦乐音色和细腻落错的复调声部淋漓尽致地表现了一对情人依依不舍的离愁别绪------这里有缠绵悱恻的喃喃私语，更有肝肠欲断的生离死别。 2. 闹元宵
“正月十五闹元宵，太原城里好热闹，这一边灯耍龙摆尾，那一边秧歌扭得好。”这是一首欢腾热烈的山西民歌，表现了元宵节之夜人们兴高采烈的心情。乐曲以铜管的引子和唢呐的曲调把人们带到了一年一度的元宵晚会气氛之中。当人们沉浸在节日之夜的欢乐之中的时候，一曲深情的《绣荷包》缓缓流入人们心田：“初一到十五，十五的月儿高，那春风吹动杨呀杨柳梢。”表现了“每逢佳节倍思亲”的独特心境。 3. 爬山调
爬山调流行于山西河曲和内蒙古武川一带，亦称山曲。它同陕北的信天游在结构上十分相近，都是散板式的上下句结构。内容亦同爱情题材为主，乐曲由两首爬山调联合而成，我们从中可以看到山村男女青年以山曲表达心声的情景。 4. 看秧歌
秧歌是北方农村流行的一种边歌边舞的民间歌舞，山西的秧歌以晋中地区的太谷秧歌最为著称。太谷秧歌以叙事歌曲和短剧为主。这一首《看秧歌》本身就是一首秧歌曲，描述了一对姐妹结伴到邻村看秧歌，一路上趣事层出的情景。乐曲突出了秧歌的打击乐音响，以北方特有的火爆气氛把音乐推向高潮。 BAO YUANKAI
YANHUANG FENGQING
Chinese Sights and Sounds
24 Pieces on Chinese Folk tunes for Orchestra
Suit 1. Yan Zhao gu shi
Heibei Folk Songs
Stories on the Lands of Ancient Yan and Zhao
1. Xiaocai_Little Cabbage
This is a very popular folk song talking about how a boy was ill-treated by his stepmother. Apart from the touching melody, the strings was being highlighted to imitate the boy's sorrow. He missed his mother very much and the composer made use of another Heibei folk song Crying at the Daybreak to show the boy's weeping sadness, helpless sighs and transient expectation. In the end, the violin brings us to the misty dreamland which the poor boy is longing for.
2. Xiaofangniu The Little Cowherd
It is a dance tune about the dialogue between a little cowherd boy and a clever country girl. When the girl asked the boy to show her the way, she was being tested with lots of questions. However, the intelligent girl had given the correct answers. Their conversations contribute to a joyful and amusing atmosphere. The sentiments were pushed to a climax by the full orchestra.
3.Molihua Jasmine
There were many tunes or songs named Jasmine that could be found all over China especially the eastern provinces. This piece is from Cangzhou in Heibei Province with elegant and delicate melody. The tune is played by violin and viola, describing how a girl projects herself as a jasmine flower and dreams about romantic love.
4. Duihua Can You Guess What Flower It Is
The format of questions and answers is often found in folk songs especially about the flowers' names. This tune is one of them from Cangzhou which is merged with another folk song Flying the Kite in the middle part of the piece. The changeable rhythms, contrasted tone colors and frequent shifts of dynamics depict a noisy and gay picture of the cheerful crowd.
Suit 2. Yun ling su miao
Yunnan Folk Songs
Sketches of the Highland of Yuannan
1.Xiaohe Tangshui Flowing Stream
This is a Yunnan folk song describing how a girl is missing her lover under a moonlit night. Different instruments were used to picture the scenery such as the string instruments for the moonlit night, the piano, harp and glock for the flowing stream. The touching melody is then played by the English horn and flute respectively. The music reaches its pinnacle when the low register part representing the boy friend played at half speed and is accompanied by the full string ensemble.
2. Fang Ma shange Song of Wrangler
This popular Yunnan folk song describes how the herdsman is grazing their horses on the pasture land and mountain. It also shows the bold and straightforward character of the herdsman. Percussion and violins are used to mimic the sounds of horse bells, hoofs and whips. Another wrangling tune with slow tempo and sweet melody appears in the middle part of the piece which shows the peacefulness of the herdsman when taking a rest ring his work.
3. Yu bu sahua hua bu hong Blossoming for Rainwater
It is a well-known Yunnan folk song in a pun form by which the girl is like a cluster of flowers and her lover is like a dragon in the sky. The melody and mode of this tune are unique and beautiful. Triplet pattern, which symbolizes raindrops, is used all over the piece. The bassoon, clarinet, piccolo and woodwind instruments are used respectively to interpret this fascinating melody.
4.Caidiao Song of Riddles
This is a children's folk rhyme from Yunnan. In the rhythm of tongue twister, the song depicts how the two sisters are engaging in questions and answers. The mood is humorous and vivid which can be reflected by woodwind and string instruments. The middle part of the piece borrows the melodic tune of another Yunnan folk song Anningzhou.
Suit 3. Huang tu bei huan
Shannxi Folk Songs
Sadness and Happiness on the Yellow Soil Highland
1. Nuwa danshui Theme and Variation by Folksong of Shannxi
The theme of the melody originates from a Shaanxi folk song which is talking about a country girl's hard life. The music develops in different traditional variations that probes the girl's feelings in many aspects. The tone is sad and melancholy which shows her disconsolate and hard feelings. It also depicts her attempt to struggle against her miserable life.
2.Fuqi douqu The Amusing Couple
It describes the amusing scene of a couple who are laughing at each other. A three-stringed Chinese plucked instrument and the banhu symbolize the couple respectively. The discord of piano and humorous tone color of small gong further strengthens the comic flavor of the theme.
3.Zou Jiangzhou Going to Jiangzhou
It is a popular song in Shaanxi and Shanxi which shows a cheerful man with a carrying pole on his shoulder humming when approaching Jiangzhou. The beautiful country scenery is illustrated by the light-hearted and happy tune of banhu while the fixed sound pattern of violin imitates the elastic movement of the pole on his shoulder.
4.Lan Huahua Lady Lan Huahua
This song is from the north of Shaanxi Province talking about a brave girl called Lan Huahua. She protested against feudalism and pursued her own happy marriage. Her struggle ends in tragedy and finally costs her life. The music begins with oboe and cello to depict their passionate love. Then the brass and strings come in to symbolize her struggle and wrath. In the end, the theme is recapitulated by the kettle drum and finally leads to the tragic ending of the story.
Suit 4. Ba Shu shan ge
Sichuan Folk Songs
Mountain Songs of the Ancient States Ba and Shu
1.Huaihua jishi kai Expecting the Blossom of Scholartree
Sichuan people are known for their diligence, straightforwardness and humor. This is a typical Sichuan folk song talking about how a girl is missing her lover. The tone is amusing and unique. The beautiful melody is recapitulated by the oboe, horn, string instruments, flute and English horn respectively while the harmony in another mode pictures the village scenery.
2. Huangyang biandan Yellow Poplar Shouldering Pole
This Sichuan folk song talks about a young man watching the girls in Qiuzhou to do make-ups on his way carrying a load of rice there too. The music begins with the full orchestra to portray the strong young man while the et in the middle part of the piece depicts the leisurely and relaxing mood ring his rest.
3. Xiu hebao Embroider a Pouch
Embroidering pouch is a very popular theme among Chinese folk songs. It shows the excitement and shyness of young girls when embroidering pouch for their lovers. Girls always give a pouch to their lovers as a token of love. The music begins with string quartet, and is followed by the woodwind, harp and flute respectively. It is just like the shuttling thread in her hand.
4.Taiyang Chulai Xiyangyang Happy Sunrise
This is a lively and straightforward folk song from Sichuan Province. It describes the happiness and pride of children when they climb up the hills to work. The melody is played by the full orchestra. With the highlights of brass, strings and kettledrums, the masculine tone of the piece is further strengthened.
Suit 5. Jiang nan yu si
Jiangsu Folk Songs
Drizzle in the South
1. Wuxi Jing The Scenery of Wuxi
Wuxi in Jiangnan Province is famous for its beautiful scenery which is also the source of inspiration for poets, painters and musicians. Such as the Moon Reflected in Two Streams and this folk song are both well-known tunes talking about Wuxi. This orchestral version of the folk song depicts the charming scenery by both the woodwind and strings.
2. Yangliuqing Green Willow
It is an animated and brisk Yangzhou folk song. It is named so because it uses green willow as a foil in the lyric which is meaningless. The lyric is changeable with humorous and cheerful words. Pizzicato is applied among all strings and is even used to imitate the rhythm of gongs and drums. The delightful and active tone of the melody is then fully expressed.
3. Bagen Luchaihua Pulling out a Reed Catkin
It is a folk song in Jiang County which is always sung when transplanting seeds in the rice fields. Accompanied by the strings in pizzicato and small drums, the tune is played by piano and flute respectively to portray this beautiful Jiangnan scenery.
4. Zizhudiao Bamboo-flute Tune
It used to be a popular love tune in Suzhou and is then become a mode of tune for Shanghai local opera Huju. The lyric is implicit and amusing. Accompanied by the harp, the melody is played by the strings in the style of Jiangnansizu.
Suit 6. Taihang chun qiu
Shanxi Folk Songs
Seasons in Taihang Mountains
1. Zou Xikou Going to West Gate
Popular in Shanxi, Northern Shaanxi and Western Inner Mongolia, this folk song talks about the migration of the poor people from the Highlands for a better living. The music adopts the Shanxi tune with the theme of the sad separation between two lovers. Their feelings are depicted by the strings and the polyphony parts of the orchestra.
2.Nao Yuanxiao Happy Lantern Festival
This is a cheerful Shanxi folk song showing the happiness and excitement of people when celebrating the Lantern Festival. The introctory brass and tunes by suona lead to the climax of the festive joy. Then a soft and emotional tune of Embroidering Pouch appears to depict the sentiment of missing their own family under this annual gala.
3. Pashan diaoA Tune of Mountain Climbing
Popular in Hequ, Shanxi Province and Wuchuan, Inner Mongolia, the structure of mountain tunes is similar to that of Xintianyou in the Northern Shaanxi Province. Both of them are in sanban (no tempo) and also have the main theme of love. This piece is composed of two mountain tunes which shows how the young village people express their love through those songs.
4. Kan Yangge Going to Watch Yangge Dance
It is a country dance popular in the villages of Northern China. This piece talks about two sisters who go to see the dance and have met lots of interesting things. Percussion is highlighted to depict the rhythm and also the liveliness of the dance.

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